Double Reed? Double Premiere!
Twice the reeds = twice the number of premieres!
In the last week, I had two composition projects come to fruition, both for double reed ensembles and both thanks to a collaboration with Dr. Javier Rodriguez, bassoonist and Associate Professor at the University of Idaho.
Rhapsody for Double Reeds
First up was the Rhapsody for Double Reeds, written to be a showcase for the guest faculty invited to the 2025 edition of Puerto Rico Double Reed Day, held in Ponce, Puerto Rico at the Escuela Libre de Musica Juan Morel Campos de Ponce.
What is perhaps most remarkable is what the ensemble was able to do with the Rhapsody with only a half hour of rehearsal prior to the performance—for example, an excerpt from the central lyrical section:
It’s both personally validating to know I can write something idiomatic enough to be picked up and played easily by musicians and yet more impressive what professionals can do to elevate six minutes of music they’ve never seen or heard before and turn it into something worth listening to.
PROGRAM NOTE
Commissioned for the 2025 Puerto Rico Double Reed Day, I wanted to write something that captured the energy of the place. Though I’ve never been, I feel I know something of it: to a person, the Boricuas I’ve met and befriended are fiercely proud of where they come from, singing the praises of the water, the beach, the sun, dancing, food, and the people. Told through my own musical language, I tried to express this proud energy and love of place while acknowledging the island has been through challenging times; though there is no joy in suffering (especially when unnecessary) these trials have showcased the power of community and resilience in PR.
A full recording of the piece and more details are available here.
On the Trail
The second premiere was of a piece written for the University of Idaho Double Reed Ensemble with a programmatic inspiration that will be familiar to many who’ve been following along here for awhile:
PROGRAM NOTE
On the Trail conjures an experience I’ve imagined many times: at the end of a long day of solo backpacking, though the scenery is stunning, the solitude begins to wear. Shadows grow longer and you need to find a place to camp. Ahead is nook below a high saddle that seems promising. On that saddle silhouetted against the sky you notice a figure waving wildly and shouting at you. Their hollering is hard to make out, but something about their manner seems familiar. You hear something that sounds like your name float across the wind and it clicks: that’s an old friend up there! You surge up the trail in recognition and enjoy a happy reunion, starved for companionship and beyond grateful for a familiar face. Though you’re going opposite directions on the trail and the rendezvous is short-lived, being reminded of how you relate to the human world puts your once-again stunning surroundings back into perspective. You find a comfortable spot to bed down for the night and nod off, warmed by your encounter.
The premiere featured some especially lovely solo moments from the students, with a serene, spacious rendering of the coda:
More detail and a full recording of On the Trail here.
Bonus!
Just before the first performance of the Rhapsody, Dr. Rodriguez gave a short composer’s bio and history of the creation of the piece. In his introduction, I heard a spoken phrase that seemed distinctly rhythmic and that stuck with me—so I decided to make one of those ever-popular club beat-style remixes of it. Hopefully it will make you chuckle 1/100th the amount it made me. Doble caña time:
Great songs, man. Love your writing. I think oboe is my favorite orchestral instrument.